Every active modulation assignment in the current patch, in one table: SOURCE, DEPTH, TARGET, LIVE, BYP, and a delete column.
LIVE shows how strongly the assignment is moving its target right now, as
a share of the target’s range. At the source’s peak the meter reaches the
percentage shown beside DEPTH, so a lower LFO Level or a smaller Depth
shrinks it, and a negative Depth fills it the other way. The number beside
the meter shows the same change in the target’s own units, including
Offset. BYP turns an assignment off without deleting it. The delete column removes
it outright.
DEPTH sets how far the assignment moves its target, in the target’s own
units, with the matching percentage of the target’s range shown beside it.
A negative Depth
inverts the modulation. Beside it sit an Offset control (±), which adds a
constant offset on top of the swing, and a shaping control. The shaping
control is live only for assignments driven by the L Level or R Level
audio sources; on every other source it is greyed out. See Audio-Reactive.
Mixer Mode’s modulation is not listed here. It is set up on the mixer controls themselves; see Mixer Mode.
Related: Modulation Matrix.